Bitter are the nights, but bright are the sparks we weave to stay warm.— vohdelin engraving, flame on stone
The vohdelon is a carved tool, usually crafted from stone or treated wood, that is used in the traditional
dwarven hobby of
vohdelin - known more frequently in international circles as "flame engraving". Common across the southern reaches of
Iskaldhal where wood is plentiful, vohdeling has a history spanning generations, and the forms that vohdelon have taken are many.

Instrument of Flame by Hanhula (via Midjourney)
Though currently popular in
Gildómar due to a current rise in the use of traditional art forms, vohdelons require more precision to carve into the exact shapes necessary for finely-tuned vohdeling, and as such, are fairly scarce.
Tool makers have traditionally focused on broader appeal or easier construction: chisels are easy for a metalworker to craft by comparison, and stonemasons typically profit more from commissioned statuework or traditional masonry. Woodworkers, too, are usually far too busy with more regular tooling and weaponry, especially in times of war when their swift precision is needed for military machinery.
This lands the vohdelon in an interesting place in the market, wherein few have the talent to supply vohdelon of appropriate quality to those interested in practicing this traditional art. While whittling a basic vohdelon out of wood and then treating it to prevent accidents is an easy enough task, these simple productions will only serve for simple art pieces.
With only simple tools, detailed vohdeling is impossible - much as a painter would not produce finery so easily with only a single poorly-made brush. Fortunately, with a temporary pause on military activity, aged dwarven artisans who practised in the craft and use of these tools have been given the opportunity to return from the battlefield and settle into a steady income driven by new demand.
Some dwarven organisations have championed the cause of the vohdelon and related historical tools as a perfect example of heritage revival arts, and as a way to support military veterans who may have otherwise struggled without the industry of war to feed them.
In
Fyrneistur, the famed jeweller
Emgeir Belthauroz - whose flagship store in the
Gildbridge district of Gildómar is renowned for causing significant traffic issues during the unveiling of new collections - has begun an official collaboration with the nearby Dhorikhaz Memorial Club to create a limited number of vohdelin pieces using vohdelons crafted by the veterans supported by the organisation. These pieces will commemorate losses during the recent Gildón conflicts, and proceeds will be donated in majority to the further support of veterans.
There are still plenty of uses for the quickly-made vohdelons carved by beginners, however. A favourite of rebellious teen dwarves is to practice vohdeling while smoking, inflicting tobacco-scented "art pieces" across stone walls and often incriminating themselves by crudely scrawling their names across landscapes. It isn't uncommon to see the less-travelled streets of
Bukhgirin faintly smoking with the lingering remnants of a new piece of vohdelin - often found next to an abandoned vohdelon dropped in haste.

Vandal by Hanhula (via Midjourney)
Naturally, as a tool of flame-based art, vohdelons are often involved in accidents and arson. Improperly made or sealed vohdelons can explode under the intensity of the flame they foster, causing potentially serious injury through their shrapnel. Any tool involving fire, too, can be used with a lack of care and control that may spark into a genuine blaze.
While artists working with vohdelons are advised to carry sand and water, not all can act with the speed needed to protect themselves or their canvases from out-of-control fire. Because of this, nations like
Hvalgora typically have stricter rules around who may purchase and sell vohdelons, and where vohdeling may be practiced. Gildómar and other dwarven nations have yet to follow suite, likely due to the heritage nature of the craft.
It's like a flute, lad. You aim it carefully, make sure the right holes are covered, and blow the flame through it.— dwarven artist to apprentice
A vohdelon is typically made in a curved, flutelike shape with holes that may be closed (by wearing thick leather gloves) to shape the direction of the flame. Partway down the vessel, a small hollow chamber holds fuel, which is to be lit through the same holes that one may close.

Vohdelon Blast by Hanhula (via Midjourney)
Fuel is usually inserted either through the wider end at the bottom of the vohdelon, if it is designed to produce large flame, or is inserted through a slotted gap that must be stoppered to use the tool. Novices are prone to loading fuel through the mouthpiece by mistake, leading to many singed beards when they light the damn thing.
When a vohdelon has been fuelled, typically with dry tinder instead of explosive powders, it can be lit by briefly passing it through a flame or by poking a flame more carefully through one of the holes. Given the short lifespan of most fuel, art must be performed in short bursts.
One blows through the instrument's end and dictates the shape of the flame through careful movement and hand coverings of the holes, using the force of their own breath and the shape of the tool to drive the flame into a sharp shape that burns far hotter than it would be expected to. This is how flame-painting takes form: the artist's lifebreath and control, and the delicate skill that produced their brush.
Improper use of a vohdelon is thus risky. Inhaling the fuel or flame can cause burns to the face, and blowing with too much force can put out the fire or cause it to react out of control. Using the wrong fuel can produce too great a flame, risking the destruction of the vohdelon (and much else). But in the right hands, vohdeling produces skilled, delicate paintings akin to those watercolours produce: faint layers of light and shadow, carved into surfaces with focus and effort.
Do not inhale! I assume glass blowing is much the same in that regard. This is such a cool idea. I bet some really beautiful art can be made with this method, and I love that you have created a tool for it. I am very curious about the one dredged from the lake.
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