Burial at Sea

A collection of screenshots, printed out and stored in a plain manilla folder. Found on the desk of private investigator Mía Cruz after her disappearance.

Page #227

An aged, slightly damp page ripped out carefully out of the larger work. One word within the text has been circled in red. The back of the page has been painted over with correction fluid.
Look here!" Another exultant cry, as if I weren't myself bombarded with the discovery of the century! Placing my hand upon the stone before me, I illuminate the carvings with a touch of radiance. Shaky as my grip remains from what are now several sleepless days, I still manage to steady my hand long enough to take in yet another restructuring of what I believed was real. There are more and more of them every passing moment it would appear.
  Gazing upon the intricate detailing of the wall, only one thought rattles in my mind. This couldn't be possible, Cambodia was thousands of miles apart from the stone beneath my feet and above my head; and yet still, the engravings match those I myself witnessed in Angkor Wat. Could the Khmer have build this temple as well? Perhaps a group splintered from the rest and found themselves on this island like us? That would be far too convenient an explanation, however, considering how the above ground section of the temple looks nothing like the work made by the hands that brought Angkor Wat into this miserable world.
  "Andrew, look I said! Quickly, come and see!" The words are enough to wrest me free from my trance, which means they are entirely too loud. With a furrowed brow, I turn quickly. My light forcing the shadow of the boy against the corridor wall as I let my will be known.
  "What? What is it? Can you not see I am occupied?" I have to bite my tongue, quickly cutting off our illumination as I hold my breath. Down the corridor, there is a silence. Slowly, my free hand reaches down towards the battered holster and grips ivory. I must remove it, but will the scrape of steel on leather be my demise? Without a word I stare out, into the blackened depths, and wait.
  Nothing.
  For entirely too long, nothing. Finally I breathe, focusing my eyes back onto the boy as the light blinds me. A small shadow fills the corridor behind him, painting over in thin film another revelation. No sooner than I open my jaw to chastise the child, do my eyes widen in sheer bewilderment.
"Death‽" Am I seeing final Condemnation? "Holy stars..." I manage, as the light fades from my grip. I shall let the boy have his expression of triumph at my expense this once. There are more important thoughts and words circling my mind at the moment. Because the visage before me, I cannot fathom it. Why may Her image be pressed into this stone? So distant from Her lands and Her children?
  I motion quickly for the boy, the truth in his hands raised for me to witness the relief in greater detail. Truly, I cannot even assert what this may alter. For what foundation do I possess with all I've bore witness thus far? Nothing before announced Her presence, and it is unlike Her children to obscure Her in this way. Tracing the stone, I sense a latent heat within and without Her presence. Could this be a method to reach Her?
  Plip...
  No, no this cannot be! I pull my hand away from the warmth, searching frantically for the source I beg not to uncover.
  Plip!
  The boy, now sharing my anguished look, frantically patters on my arm as the head of the corridor is bathed in light. A single traitorous droplet falls downward and onto my cheek. The moisture might as well be my very own tears as I step back, colliding with solid rock behind me.
  Skkkkkkrttt......
  "Run boy!" I shout, pushing the child away from me and deeper into the tunnels. For a moment, he refuses, clutching onto my coat the same were I his mother. "GO!" My scream fills the corridor as the arrhythmic pinpricks of metal cascade towards me as another terrible prophet falls onto my extended hand. It runs downward onto the ivory grip as I aim my only hope towards the origin of the sound.
  As it approaches, I am blinded. A dreadful ringing batters my eardrums as a touch of radiance illuminates my demise above and before me. The clatter of knives, the pouring of seawater.
  Please boy, survive this yet.
"I see Her there, plain as sunshine, in my dreams. Lounging atop the sodden ashes, and the horror... oh, the Horror"
— Burial at Sea, page #243
Written as a Part of Summer Camp 2026!
Week One - Love
Prompt #10, Wildcard: "A Mysterious Work of Fiction That’s Spawned Conspiracy Theories"
Other Summer Camp 2026 Articles
Mimic Fruit
Authors
Virgil G. Martínez, Anonymous, Nathaniel Pierson
Type
Manuscript, Literature
Medium
Paper
Authoring Date
1971
Location

Obituary of Virgil G. Martínez

A worn scrap of newspaper, ripped off of the main body. The scrap has been folded and refolded countless times before being glued to the back of page #227. Below the newspaper, a message is written over the correction fluid.
"Virgil G. Martínez, 69, of Agua Verde passed away on February 29th, 1977. Virgil was born on February 29th, 1908, in New York City. An accomplished educator and historian, Virgil retired to a quiet life after 53 years. In 1971, Virgil wrote 'Burial at Sea', his singular and seminal novel. Virgil is survived by his wife, Ellen J. Grey."

1977 WASN'T A LEAP YEAR!!!
  Feb 29 didn't fucking happen! It's a sign! Look at the numbers they all make sense!!!
  2+9=11. Just like the page number, 2+2+7=11
What's the 11th paragraph???
"Plip!"
  It's one word for a reason, the ONLY word with a !, the other's have periods. That's why it's special. Virgil WANTED us to figure it out. Why else would his obituary link back to page 227??? The numbers are there too! He's telling us how to find him!
  Take the word, turn the letters into numbers and add them up: 16+12+9+16=53!!! Just like the retirement age in the news! I'm telling you man I'm THIS close to figuring this out. I just can't fucking figure out what to do with 53. I think it has something to do with the number I got from page 243: 13,846,725
  I can't crack it though, everything I do with the number doesn't mean shit. You know more about this stuff than I do, come on man you gotta help me. Ever since I got a hold of the book you keep looking at me like I'm fucking crazy! I'm not crazy, I KNOW what I'm talking about!
  You gotta stop listening to the wolves man, they're trying to hide this shit from us! Like come on, "passed away"? Everyone knows Virgil didn't just up and die. My dad was there, he SAW Virgil get on that boat with his own eyes!
  You just gotta follow the numbers! Virgil hid the code in the original book before he left, now he left the numbers in his obituary so we know we're on the right track!
  I found 11 and 53. If we can find 69 we're golden. Maybe the years too? Probably just the endings, 08, 71, 77. Don't bitch out on me man! I need you on this!!!

Burial of Reason

An excerpt from Agua Esoterica, by Nathaniel Pierson.
I hesitate to speak on this matter, truthfully it merits little interest when discussing true deep knowledge and hidden texts. Unfortunately however, much drivel has been made of 'Burial at Sea', and it's enigmatic author. Such an extensive amount in fact that no matter the futility of such and effort: I must address the proverbial elephant in the room.
  What value, if any, could be extracted from a work such as 'Burial at Sea'? First and foremost, entertainment. That is the primary purpose of fictional narratives, is it not? I myself found 'Burial at Sea' to be rather captivating. It weaves and interesting tale that allows us to glimpse into another world where an expedition into the Pacific Reaper might be feasible. I believe the closeness to our reality is what makes this work so intriguing. Not just for casual readers who enjoy good literature, but unfortunately to the unstable among us as well. Whatever do I mean? Allow me to elaborate.
  Virgil G. Martínez was a troubled man even before he transplanted to our great city. You must recall, this was a man born just before The Great War. Virgil himself lost a brother to the trenches of the Somme. Then in his thirties, Virgil once more saw the world he knew descend into conflict with the march of Hitler's armies. What this created was a quiet, detached man. A man who lost a brother to one war, and several students to another.
  It should be to no one's surprise then, that upon witnessing the Pacific Reaper emerge for the first time, that something within Virgil's mind broke. We know he retreated into himself after surviving the Reaper, and it was during this turbulent time of self-reflection in which 'Burial at Sea' was penned. Managing to be published right as our great city broke free from its eight year occupation.
  Burial at Sea' is an intruiguing look into the darkened mind of a man whose very life was marred with one tragedy after another. It's a work I proudly house in my collection, but it is a work of fiction first and foremost.
  While yes, Virgil was an expert cryptographer, we have no reason to believe he left any encoded messages within his work. Furthermore, the rumor that he participated in the United State's code breaking efforts during the Second World War is unsubstantiated. Records only indicate that he taught the art of cryptography, never practiced it outright.
  Virgil was a talented man who produced a literary marvel, that is all. Virgil was not a famed academic or scholar, he did not possess any hidden knowledge or future sight, and he most certainly did not disappear into the sea to reenact the events of his novel. 'Burial at Sea' is a work of fiction, and I will leave it at that.

Fwd: Burial at Sea

An email scraped from an FBC email server by the NCAE. Marked as "critical" by REPR IO █████████.
from: [email protected]
to: [email protected]
date: Aug 15, 2007, 7:23 PM
subject: Fwd: Burial at Sea
mailed-by: fbm.com
  bullshit! no way in hell im walking into that place asking for the damn book. do you still think your cousin can get us into the black market?
  ---------- Forwarded message ---------
From: [email protected]
Date: Wed, Aug 15, 2007 at 6:27 PM
To: [email protected]
Subject: Burial at Sea
  Thank you for contacting the Agua Verde Heritage Library. Your support means a lot to us, and we strive to do our best to serve the needs of the community.
  Unfortunately, the library's copy of 'Burial at Sea' is not available for check-out. As a part of our, "banned books" collection, 'Burial at Sea' is treated to a heightened level of care. Our copy is one of approximately two hundred copies still available, as such we do everything in our power to maintain it for future generations to come.
  If you'd like, you can visit us in person to request a private viewing. Please note, our banned books collection has strict no photography and no video policy. You will be asked to leave any personal photography or recoding devices home, that includes optical cyberware, which is subject to confiscation by library staff. Library staff will also be present for the viewing of any book in our banned book collection.
  Thank you for understanding, and thank you for supporting the Agua Verde Heritage Library.


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Comments

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Jun 29, 2026 04:12

Beautiful and quite touching.

Jun 29, 2026 04:42

Thank you! I really got caught up in writing the excerpt from the fictional book lmoa, almost makes me want to write the real thing   maybe some day :p